Guardo e cerco New York nelle piccole cose, convinta che nella vita i dettagli strutturino la forma ed i colori dei corpi. Ci componiamo di difetti, perfezioni e invisibili certezze.
An impressive dinner organized by the Italian community at the Grand Hyatt Hotel in New York concluded the official state visit of the President of the Italian Chamber of Deputies. Gianfranco Fini addressed the diverse components of Italian emigration to the U.S. and earned once again the kind of bipartisan respect that Speaker Nancy Pelosi expressed to him in Washington last week.
I am not sure why mimicking the guido style is any better or worse than folks in a previous generation trying to be like James Dean or the pre-Godfather Marlon Brando. It is one generation’s rebellion against the previous generation. And it was the disobedience and unruly behavior, now “forgotten”, that helped to make Sinatra an icon for a particular generation.
This rebellion is needed to move toward establishment of identity as a new group that is independent from the previous generation.
Why has MTV produced a youth culture reality show that showcases Guido and Italian identity? Guido offers a symbol that specifically identifies the brand; Italian ethnicity makes the brand more salient. Guido combines a commodified youth party culture with a style that has street culture roots. [...]
Guido is a struggle for recognition and respect by an age fraction that privileges consumption rather than formal education, reflecting class differences in an ethnic culture that continues to evolve in metropolitan New York City and throughout the Northeast. [...]
It is indeed ironic that the Jersey Shore TV show not only negatively stereotypes Italian Americans, but that it has Italian American leaders and scholars at war with each other----weakening further any hope of a serious longterm effort to disseminate and popularize the authentic history and culture of Italaian Americans.
On Saturday, February 13, 2009 the Italian American Writers Association (IAWA) celebrates its 19th Anniversary at Cornelia St. Cafe (212-989-9319); with Marisa Frasca whose work often appears in both Sicilian and English and Paul D’Agostino, a polymath when it comes to the spoken word.
La New York che ho immaginato e costruito, frame by frame, e la New York che mordo e respiro, day by day.