Italian/American Studies will flourish only if it gets the requisite support, first and foremost, from its community in order for it then to be part of the larger discourse. We need to support our artists, writers, and scholars.
Italian/American Studies is (some might say should be) becoming more and more part of Italian Studies in the United States. As some of you know, there are a few outlets dedicated to scholarship on the Italian diaspora here in the United States. I am connected to two of them.
On the occasion of the 32nd edition of the Operaestate Festival in the Vicenza province of Italy, a provocative art installation will try to raise awareness on the issue of human trafficking. On August 25th in Bassano del Grappa, artists Anna Piratti and Silvia Gribaudi will invite the public to take action against sexual exploitation by scattering 800 naked dolls in Piazza della Libertà.
Italian/American Studies will flourish only if it gets the requisite support, first and foremost, from its community in order for it then to be part of the larger discourse. We need to support our artists, writers, and scholars.
Italian/American Studies is (some might say should be) becoming more and more part of Italian Studies in the United States. As some of you know, there are a few outlets dedicated to scholarship on the Italian diaspora here in the United States. I am connected to two of them.
Just when UNESCO recognized five more Italian sites as part of the world's cultural heritage, Florentine Mayor Matteo Renzi decided to block engineer Maurizio Seracini's search for the Leonardo Da Vinci's fresco of the Battaglia di Anghiari believed to exist on a wall in the city's town hall.
Just when UNESCO recognized five more Italian sites as part of the world's cultural heritage, Florentine Mayor Matteo Renzi decided to block engineer Maurizio Seracini's search for the Leonardo Da Vinci's fresco of the Battaglia di Anghiari believed to exist on a wall in the city's town hall.